Wednesday, May 2, 2012

Week 6


This week, we are looking at the “Blue Nude” by Henri Matisse, 1907.  In this painting there is a strong presence of primitivism and a sense of avant-garde.   First reaction to this painting was of initial shock at the color choices, so bold and in your face.  Then, secondly the nude figure seems to be right in your face as well.  As if zooming in on the nude was necessary for reaction.  Analyzing this, I see that this nude in comparison to older works and the “common nude” are very bold and out there.  Being honest with myself, I am not sure whether this is a male or female.  Of course the breasts are large and in your face, but the masculinity of the arms and hair and the covering of lower region kind of leave me a little confused.  There is very little detailed attention spent on the body and I think this was intentional to raise this question.  The nude also has a very muscular physique which promotes the confusion.  Female nudes otherwise were portrayed as soft and voluptuous, not hard and chiseled.  Perhaps, it was painting unisex on purpose to push the boundaries with the critiques at the time.  At first, I didn’t find this painting to be very awe inspiring.  It seems so simple that any “primitive” child could create it.  But after looking further on this painting, there are many hidden ideas.      
            In regard to the primitivism that the painting holds, Matisse paints with broad strokes and very little details.  The nude being surrounded by a jungle of sorts shows that this has a jungle roots idea, that we came from the jungle and this is a return in some fashion our roots.  There is also the idea that in primitivism, females are generally depicted as primitive, working in the fields or being put in nature settings to show their status.  Matisse’s “Blue Nude” follows this critique and also exemplifies another.  The apparent connection to simplicity and disconnection to complexity.  My thoughts here directly correlate to the works by Gauguin.  The majority of what I have seen by Gauguin lacks any detail, seems to be nearly finger paintings, but the ideas and concepts within them are definitely present.  The “Blue Nude” is also very subjective.  I believe this work by Matisse exaggerates and distorts lines, colors, and forms to be more subjective.  It leaves the viewer to decide on his own what he sees.  I think that this was done to be thought provoking and a cause for uproar of emotion and discussions at the well (water cooler of the time).   This nude to me is not considered as an object at all, but rather as a statement of something.  I’m not too sure what that statement is, but it is definitely not the “in the box” style.   And as I recall, this is a definition of what it is to be avant-garde.  To me, the political statement isn’t too clear, but the pushing forward into new envelopes of societal and artistic acceptance is there.  

4 comments:

  1. In reading your blog I liked how you gave my a chance to understand how primitive work should look. it was helpful to see how this concept fit into avant-garde. Also the reference to working outside of the box made it very relatable. Thanks for a great read.

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  2. I think the reason Matisse chose to show the woman with a muscular physique was to emphasize that this woman is NOT from a rich, bourgeoisie upbringing. Those women are soft, pale and quite frail, plus they might never be seen laying the the ground in a jungle. I wonder if Matisse purposefully chose to paint flowers in front that look like African violets, which are native to Tanzania and tropical parts of Kenya.

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  3. I really should echo Carolyns comments. Women from the more rural areas worked and did not spend here time in the home. Therefore they must have been more muscular. This idea really relates to the primitive idea that goes throughout the painting in the same way that the bold brush strokes.

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  4. This nude does have aspects of primitivism with the abstraction of the figure. It also has the feel of Orientalism as well. Similar to the "Women of Algiers", the woman is seen in a passive objectifying position. She seems to be on display and waiting for the viewer. She is turned towards the viewer and her whole body is visible. Both primitivism and Orientalism associate the female figure with sexuality and fertility, which is prominently displayed with her large breasts and large hips. I do agree with Kevin that her hairstyle does seem masculine but she could just simply have it pulled back into a braid.

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