This week, we are looking at the “Blue Nude” by
Henri Matisse, 1907. In this painting there
is a strong presence of primitivism and a sense of avant-garde. First
reaction to this painting was of initial shock at the color choices, so bold
and in your face. Then, secondly the
nude figure seems to be right in your face as well. As if zooming in on the nude was necessary
for reaction. Analyzing this, I see that
this nude in comparison to older works and the “common nude” are very bold and
out there. Being honest with myself, I
am not sure whether this is a male or female.
Of course the breasts are large and in your face, but the masculinity of
the arms and hair and the covering of lower region kind of leave me a little
confused. There is very little detailed
attention spent on the body and I think this was intentional to raise this
question. The nude also has a very
muscular physique which promotes the confusion.
Female nudes otherwise were portrayed as soft and voluptuous, not hard
and chiseled. Perhaps, it was painting
unisex on purpose to push the boundaries with the critiques at the time. At first, I didn’t find this painting to be
very awe inspiring. It seems so simple
that any “primitive” child could create it.
But after looking further on this painting, there are many hidden ideas.
In regard to the primitivism that
the painting holds, Matisse paints with broad strokes and very little
details. The nude being surrounded by a
jungle of sorts shows that this has a jungle roots idea, that we came from the
jungle and this is a return in some fashion our roots. There is also the idea that in primitivism,
females are generally depicted as primitive, working in the fields or being put
in nature settings to show their status.
Matisse’s “Blue Nude” follows this critique and also exemplifies
another. The apparent connection to
simplicity and disconnection to complexity.
My thoughts here directly correlate to the works by Gauguin. The majority of what I have seen by Gauguin lacks
any detail, seems to be nearly finger paintings, but the ideas and concepts
within them are definitely present. The “Blue
Nude” is also very subjective. I believe
this work by Matisse exaggerates and distorts lines, colors, and forms to be
more subjective. It leaves the viewer to
decide on his own what he sees. I think
that this was done to be thought provoking and a cause for uproar of emotion
and discussions at the well (water cooler of the time). This
nude to me is not considered as an object at all, but rather as a statement of
something. I’m not too sure what that
statement is, but it is definitely not the “in the box” style. And as I recall, this is a definition of
what it is to be avant-garde. To me, the
political statement isn’t too clear, but the pushing forward into new envelopes
of societal and artistic acceptance is there.
In reading your blog I liked how you gave my a chance to understand how primitive work should look. it was helpful to see how this concept fit into avant-garde. Also the reference to working outside of the box made it very relatable. Thanks for a great read.
ReplyDeleteI think the reason Matisse chose to show the woman with a muscular physique was to emphasize that this woman is NOT from a rich, bourgeoisie upbringing. Those women are soft, pale and quite frail, plus they might never be seen laying the the ground in a jungle. I wonder if Matisse purposefully chose to paint flowers in front that look like African violets, which are native to Tanzania and tropical parts of Kenya.
ReplyDeleteI really should echo Carolyns comments. Women from the more rural areas worked and did not spend here time in the home. Therefore they must have been more muscular. This idea really relates to the primitive idea that goes throughout the painting in the same way that the bold brush strokes.
ReplyDeleteThis nude does have aspects of primitivism with the abstraction of the figure. It also has the feel of Orientalism as well. Similar to the "Women of Algiers", the woman is seen in a passive objectifying position. She seems to be on display and waiting for the viewer. She is turned towards the viewer and her whole body is visible. Both primitivism and Orientalism associate the female figure with sexuality and fertility, which is prominently displayed with her large breasts and large hips. I do agree with Kevin that her hairstyle does seem masculine but she could just simply have it pulled back into a braid.
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